Color is how
I notice.
Drawings, textiles, and objects shaped by the places I go and the things I notice along the way.
Interiors, home objects, and the atmosphere of a room are a constant source of inspiration. I pay attention to how color and composition change the way a space feels.
That curiosity moves between hand-drawn marks, repeat patterns, and spatial experiences. Across each medium, I’m finding a visual language for a story.
Valley of Flowers
A collection for Nicobar shaped by the flora, fauna, craft, and social rituals of Kashmir.
From place to visual vocabulary
I led the collection from research through execution, translating kingfishers, lotus blooms, Dal Lake boats, wildflowers, and tea culture into original illustrations, repeat patterns, colorways, textiles, and objects.
A saturated spring palette of saffron, pink, green, and blue held the world together. The aim was not a generic idea of Indian craft, but a collection with the specificity and atmosphere of Kashmir.
Sakura in Sikkim
Soft pink blossoms, an aqua sky, and the feeling of petals falling like snow became a quieter home collection.
French Countryside
A triptych drawn from three places in the South of France. The work is now installed at SCAD Lacoste, returning the landscapes to the place that inspired them.
Little Things
A weekly illustration study made during the pandemic: ordinary objects, remembered rituals, and the palettes hidden inside them.
It starts with looking closely.
Drawing and textiles still shape how I work with technology. I return to the same questions about color, rhythm, and how a person experiences what I make.
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